{"id":5626,"date":"2021-11-03T10:24:29","date_gmt":"2021-11-03T07:24:29","guid":{"rendered":"https:\/\/sinopale8.org\/no-title-4\/"},"modified":"2021-12-13T16:00:20","modified_gmt":"2021-12-13T13:00:20","slug":"no-title-4","status":"publish","type":"post","link":"https:\/\/sinopale8.org\/tr\/no-title-4\/","title":{"rendered":"\u0130simsiz"},"content":{"rendered":"[vc_row thb_full_width=”true” thb_divider_position=”bottom”][vc_column css=”.vc_custom_1634480201455{padding-left: 30px !important;}”][vc_wp_text]\n

\u0130simsiz, 2006<\/b><\/strong><\/h2>\n

Nobuho Nagasawa<\/span>[\/vc_wp_text][vc_wp_text el_class=”p-last-child”]Sinopale 1, \u201c\u015eey\u201d
\nK\u00fcrat\u00f6r: T. Melih G\u00f6rg\u00fcn<\/span>[\/vc_wp_text][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Ku\u015flar\u0131n \u00e7a\u011fr\u0131s\u0131 (T\u00fcyl\u00fc oda)<\/b><\/p>\n

Bu yerle\u015ftirme, Sinop Hapishanesi\u2019nin \u00e7ocuk b\u00f6l\u00fcm\u00fcnde ger\u00e7ekle\u015ftirildi. Yerle\u015ftirme; \u0131\u015f\u0131k, g\u00f6lgeler ve ku\u015f c\u0131v\u0131lt\u0131lar\u0131n\u0131n sesinden olu\u015fuyordu. Tavandan birka\u00e7 y\u00fcz mavi t\u00fcy sark\u0131yordu ve bunlar spotlar arac\u0131l\u0131\u011f\u0131yla ayd\u0131nlat\u0131l\u0131yor, b\u00f6ylece de t\u00fcylerin g\u00f6lgesi ta\u015f duvara yans\u0131yordu. Yerel T\u00fcrk ku\u015flar\u0131n\u0131n c\u0131v\u0131lt\u0131s\u0131 mekan\u0131 ku\u015fat\u0131yor, hapsolmaktan kurtulma arzusu uyand\u0131r\u0131yordu.<\/span><\/p>\n

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Ge\u00e7it noktas\u0131 (T\u00fcy kalemli oda)<\/b><\/p>\n

Hapishanede bulunan bir masa, karanl\u0131k bir odan\u0131n merkezine yerle\u015ftirildi. Karadeniz\u2019in tuzu masan\u0131n \u00fcst\u00fcn\u00fc kapl\u0131yordu. B\u00fcy\u00fck bir t\u00fcy, tavandan bir t\u00fcy kalem gibi sark\u0131yordu. Odan\u0131n i\u00e7inde gezinen insanlar\u0131n hareketi, t\u00fcy\u00fcn yava\u015f\u00e7a tuzun \u00fczerinden ge\u00e7mesine ve b\u00f6ylece de tuzun \u00fcst\u00fcne yaz\u0131lm\u0131\u015f olan mahkum adlar\u0131n\u0131n silinmesine neden olurken, yerel T\u00fcrk ku\u015flar\u0131n\u0131n al\u00e7ak sesli u\u011fultusu oday\u0131 dolduruyordu.<\/span><\/p>\n

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Dengeleme eylemi (Merdivenin yan\u0131ndaki terazi)<\/b><\/p>\n

Ziyaret\u00e7iler, merdivenlerden \u00e7\u0131kmak \u00fczere oday\u0131 terkederken, tavandan sarkan eski bir terazinin fark\u0131na var\u0131yorlard\u0131. Kefelerden birinde Karadeniz\u2019den k\u00fc\u00e7\u00fck bir tuz k\u00fcmesi, di\u011ferinde ise hapishane alan\u0131nda bulunan bir a\u011fa\u00e7tan toplanm\u0131\u015f incirler bulunuyordu. \u0130ncirin i\u00e7indeki bir\u00e7ok \u00e7ekirde\u011fin; ger\u00e7ek anlay\u0131\u015f, bilgi ve inanc\u0131n b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc ve evrenselli\u011fini ifade etti\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcr. Tuz ya\u015fam\u0131, ayn\u0131 zamanda da keder ve ac\u0131y\u0131 simgeler. Terazide yanyana konmu\u015f olan incir ve tuzun a\u011f\u0131rl\u0131klar\u0131, birbiriyle mukayese ediliyordu.<\/span><\/p>\n

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Ans\u0131z\u0131n (Ku\u015f kafesi ve merdivenli oda)<\/b><\/p>\n

\u0130zleyiciler ayd\u0131nl\u0131k koridordan, \u00e7ocuk hapishanesi b\u00f6l\u00fcm\u00fcn\u00fcn ikinci kat\u0131ndaki karart\u0131lm\u0131\u015f odaya giriyor ve duvara yaslanm\u0131\u015f uzun bir merdiveni farkediyorlard\u0131. \u0130\u00e7inde ince polyester bir filmden kesilmi\u015f u\u00e7an ku\u015f sil\u00fceti bulunan eski bir ku\u015f kafesi, tavana as\u0131l\u0131 durumdayd\u0131. \u0130nsan kalp at\u0131\u015f\u0131na benzer \u015fekilde yava\u015f vurum yapmaya programlanm\u0131\u015f kobalt mavisi bir LED, ku\u015f kafesinin i\u00e7ine yerle\u015ftirilmi\u015fti. I\u015f\u0131k, koyu mavi bir renk yayd\u0131\u011f\u0131ndan, kafesin k\u00fc\u00e7\u00fck bir hareketi, ku\u015fun sil\u00fcetinin b\u00fcy\u00fck bir g\u00f6lge olarak beton duvarda bir g\u00f6r\u00fcn\u00fcp bir kaybolmas\u0131na neden oluyordu. Bunun yan\u0131s\u0131ra, \u0131\u015f\u0131k titre\u015fimi, k\u00fc\u00e7\u00fck bir ku\u015f kafesinin b\u00fcy\u00fck bir g\u00f6lge olu\u015fturmas\u0131n\u0131 sa\u011fl\u0131yor, bu da duvar ve tavan\u0131 bir ku\u015f kafesi g\u00f6lgesiyle doldurarak ak\u0131ldan \u00e7\u0131kmayacak bir hapis imgesi yarat\u0131yordu. Bu s\u0131rada mekan\u0131, yerel T\u00fcrk ku\u015flar\u0131n\u0131n c\u0131v\u0131lt\u0131s\u0131 dolduruyordu.<\/span><\/p>\n

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Ku\u015f evi (Koridor & Hoparl\u00f6r dolapl\u0131 b\u00fcy\u00fck oda)<\/b><\/p>\n

Merdivenleri \u00e7\u0131k\u0131p koridoru ge\u00e7tikten sonra, ku\u015f c\u0131v\u0131lt\u0131lar\u0131n\u0131n sesi, b\u00fcy\u00fck odalar\u0131n diplerinden yine duyulmaya ba\u015fl\u0131yordu. Dolaplar tiz ve bas hoparl\u00f6rleri \u00e7\u0131kar\u0131larak, ku\u015f kafeslerine benzer durumda b\u0131rak\u0131lm\u0131\u015ft\u0131. B\u00fcy\u00fck odaya toplam yedi bo\u015f hoparl\u00f6r dolab\u0131 yerle\u015ftirildi ve b\u00f6ylelikle ayd\u0131nl\u0131k mekan, ku\u015f c\u0131v\u0131lt\u0131lar\u0131n\u0131n sesiyle dolduruldu. Ne ku\u015flar odadan i\u00e7eri girebiliyor ne de \u00e7ocuklar odadan ka\u00e7abiliyordu.<\/span><\/p>\n

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Ayla beraber saymak (Sa\u011fl\u0131k odas\u0131)<\/b><\/p>\n

Hapishanenin sa\u011fl\u0131k servisinin bekleme odas\u0131nda, sanat\u00e7\u0131n\u0131n ellerinde bir ay tutarkenki g\u00f6r\u00fcnt\u00fcs\u00fc, vinil \u00fczerine bas\u0131larak pencereye as\u0131lm\u0131\u015ft\u0131. Arkadan b\u00fcy\u00fck bir \u0131\u015f\u0131k kutusuna benzer \u015fekilde pencerenin parmakl\u0131klar\u0131n\u0131n g\u00f6lgesi g\u00f6r\u00fcn\u00fcyordu. Bu g\u00f6r\u00fcnt\u00fcn\u00fcn kar\u015f\u0131s\u0131nda, sanat\u00e7\u0131n\u0131n dudaklar\u0131 aras\u0131ndaki bir ay\u0131n imgesini g\u00f6steren bir TV monit\u00f6r\u00fc bulunuyordu. Ay, evrelerini ima ederek bir d\u00f6ng\u00fc i\u00e7inde yirmi sekiz kez d\u00f6n\u00fcyordu. \u0130slami takvim, ay takvimini esas ald\u0131\u011f\u0131ndan bu b\u00f6l\u00fcm; \u00f6zellikle bu yerle\u015ftirmenin de yap\u0131ld\u0131\u011f\u0131 gibi bir sa\u011fl\u0131k servisinde, zaman kavram\u0131 ve mahkumlar\u0131n hapiste beklerken dayanmas\u0131 gereken bitmez t\u00fckenmez g\u00fcn sayma eylemi \u00fczerineydi.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row thb_full_width=”true” thb_divider_position=”bottom” css=”.vc_custom_1634479779185{margin-top: 40px !important;}”][vc_column width=”5\/6″][vc_masonry_media_grid element_width=”6″ gap=”35″ grid_id=”vc_gid:1639400121916-f0f5b4fd-35a6-6″ include=”1638,1642,8209,8211,8213,8215,8217,8221″][vc_video link=”https:\/\/www.youtube.com\/watch?v=nXeZpCDn3ac”][\/vc_column][vc_column width=”1\/6″][\/vc_column][vc_column][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row thb_full_width=”true” thb_divider_position=”bottom”][vc_column css=”.vc_custom_1634480201455{padding-left: 30px !important;}”][vc_wp_text] \u0130simsiz, 2006 Nobuho Nagasawa[\/vc_wp_text][vc_wp_text el_class=”p-last-child”]Sinopale 1, \u201c\u015eey\u201d K\u00fcrat\u00f6r: T. Melih G\u00f6rg\u00fcn[\/vc_wp_text][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Ku\u015flar\u0131n \u00e7a\u011fr\u0131s\u0131 (T\u00fcyl\u00fc oda) Bu yerle\u015ftirme, Sinop Hapishanesi\u2019nin \u00e7ocuk b\u00f6l\u00fcm\u00fcnde ger\u00e7ekle\u015ftirildi. Yerle\u015ftirme; \u0131\u015f\u0131k, g\u00f6lgeler ve ku\u015f c\u0131v\u0131lt\u0131lar\u0131n\u0131n sesinden olu\u015fuyordu. Tavandan birka\u00e7 y\u00fcz mavi t\u00fcy sark\u0131yordu ve bunlar spotlar arac\u0131l\u0131\u011f\u0131yla ayd\u0131nlat\u0131l\u0131yor, b\u00f6ylece de t\u00fcylerin g\u00f6lgesi ta\u015f duvara yans\u0131yordu.…<\/p>\n","protected":false},"author":3,"featured_media":8207,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[966],"tags":[914,911,682],"class_list":["post-5626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-eseri","tag-nobuho-nagasawa-tr","tag-sinopale1-tr","tag-t-melih-gorgun-tr"],"acf":[],"_links":{"self":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/comments?post=5626"}],"version-history":[{"count":4,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5626\/revisions"}],"predecessor-version":[{"id":8224,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5626\/revisions\/8224"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/media\/8207"}],"wp:attachment":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/media?parent=5626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/categories?post=5626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/tags?post=5626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}