{"id":5594,"date":"2021-11-06T18:00:20","date_gmt":"2021-11-06T15:00:20","guid":{"rendered":"https:\/\/sinopale8.org\/s-o-s-sounds-of-sustainability\/"},"modified":"2021-12-07T18:52:48","modified_gmt":"2021-12-07T15:52:48","slug":"s-o-s-surdurulebilir-onca-ses","status":"publish","type":"post","link":"https:\/\/sinopale8.org\/tr\/s-o-s-surdurulebilir-onca-ses\/","title":{"rendered":"S.O.S. S\u00fcrd\u00fcr\u00fclebilir Onca Ses"},"content":{"rendered":"[vc_row thb_full_width=&#8221;true&#8221; thb_divider_position=&#8221;bottom&#8221;][vc_column css=&#8221;.vc_custom_1634480201455{padding-left: 30px !important;}&#8221;][vc_wp_text]\n<h2><strong>S.O.S. S\u00fcrd\u00fcr\u00fclebilir Onca Ses, 2014<\/strong><\/h2>\n<p>Fatih Aydo\u011fdu &#8211; Ezgi Tok &#8211; Burak Kabaday\u0131[\/vc_wp_text][vc_wp_text el_class=&#8221;p-last-child&#8221;]Sinopale 5, \u201c<span style=\"font-weight: 400;\">K\u00fcmeler ve Kristaller: S\u0131f\u0131r Noktas\u0131nda G\u00f6zlem<\/span>\u201d<br \/>\nK\u00fcrat\u00f6r: I\u015f\u0131n \u00d6nol[\/vc_wp_text][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<span style=\"font-weight: 400;\">Bu i\u015f, altta program\u0131 yaz\u0131l\u0131 At\u00f6lye ba\u011flam\u0131nda Sinop&#8217;ta kaydedilmi\u015f seslerle Ezgi Tok, Burak Kabaday\u0131 ve Fatih Aydo\u011fdu taraf\u0131ndan Sinopale i\u00e7in \u00fcretilmi\u015ftir.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">M\u00fczik sadece t\u0131n\u0131larla oynayarak yap\u0131lan \u00fcretimin \u00f6tesinde d\u00fcnyaya dair ilintilerin bir manifestasyonudur ve politik ba\u011flamlar olu\u015fturur. Uzunca bir s\u00fcre g\u00f6z ard\u0131 edilmi\u015f olsa da, m\u00fczik tarihi de politiktir. Uzak ve yak\u0131n tarihin her d\u00f6neminde g\u00f6zlemleyebilece\u011fimiz, krallar, diktat\u00f6rler, politikac\u0131lar ve di\u011fer b\u00fcy\u00fck g\u00fc\u00e7 sahiplerinin m\u00fczi\u011fi kendi ideolojileri do\u011frultusunda kullanmak i\u00e7in \u00e7abalar\u0131, i\u015flerine gelen m\u00fczi\u011fi destekleyip, gelmeyenleri lanetleyip \u201eentartet\u201c ilan etmeleri, \u015firketleri i\u00e7in mar\u015flar, \u00fcr\u00fcnleri i\u00e7in tan\u0131t\u0131m melodileri \u0131smarlamakta birbirleriyle yar\u0131\u015fan ve bu yolla farkl\u0131l\u0131k yaratma gayretinde olan uluslararas\u0131 markalar\u0131n g\u00f6sterdikleri b\u00fcy\u00fck eforlar bu anlamda bo\u015funa de\u011fildir. M\u00fczik s\u0131kl\u0131kla bir ulusu ya da bir k\u00fclt\u00fcr\u00fc tan\u0131mlamak, basit bir \u00fcr\u00fcn\u00fc farkl\u0131la\u015ft\u0131r\u0131p y\u00fcceltmek ve bu ba\u011flamda belli topolojiler in\u015fa etmek i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r: Milli ve askeri mar\u015flar, se\u00e7im kampanyas\u0131 melodileri, hu\u015fu veren, g\u00f6\u011f\u00fcs kabartan, t\u00fcyleri \u00fcrperten dini ve milli melodiler, sava\u015f d\u00f6nemi piyasada dolanan ulusal kimli\u011fi peki\u015ftirecek d\u00fczenlemeler, ma\u00e7larda tak\u0131m\u0131n\u0131 y\u00fcceltmek, rakibi a\u015fa\u011f\u0131lamak \u00fczere hep bir a\u011f\u0131zdan s\u00f6ylenen mar\u015flar, ard\u0131ndan ne gelece\u011fini belli eden sinyal melodileri &#8230;. v.b.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u00dc\u00e7 g\u00fcnl\u00fck at\u00f6lye program\u0131, ses teknikleri ya da programlar\u0131 \u00f6\u011frenmek \u00fczerine de\u011fil, Sinopale&#8217;nin bu y\u0131lki anakavram\u0131n\u0131 olu\u015fturan \u201cs\u00fcrd\u00fcr\u00fclebilirlik\u201d konusu ba\u011flam\u0131nda sesle sanatsal bir i\u00e7erik \u00fcretmek \u00fczerine d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fcr. Bir yandan \u201csoundpolitics\u201d kavram\u0131n\u0131, \u00fcretece\u011fimiz i\u015f ba\u011flam\u0131nda konu\u015fup, tart\u0131\u015f\u0131rken, \u00f6te yandan kendi alternatif programati\u011fini yaratabilecek bir sound \/ ses i\u015fi \u00fcretmek, sergi esnas\u0131nda olas\u0131 deneysel bir alan yaratarak , bu alan\u0131 sanatsal i\u00e7erikle dolduracak bir i\u015fi ve b\u00f6yle bir i\u015fi \u00fcretmek i\u00e7in gerekli y\u00f6ntem ve analojileri deneyimlemeyi ama\u00e7lamaktad\u0131r. Basit m\u00fczik programlar\u0131 \u00fczerinden, at\u00f6lye esnas\u0131nda yapaca\u011f\u0131m\u0131z ses kay\u0131tlar\u0131 ya da olas\u0131 \u201cfound footage\u201d malzemesini, \u201ccut\u2019n paste\u201d t\u00fcr\u00fc basit y\u00f6ntemlerle kullanarak, basit efektleri kullanmay\u0131 \u00f6\u011frenerek, sanatsal bir ses yerle\u015ftirmesine d\u00f6n\u00fc\u015ft\u00fcrmeyi ama\u00e7layaca\u011f\u0131z.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row thb_full_width=&#8221;true&#8221; thb_divider_position=&#8221;bottom&#8221; css=&#8221;.vc_custom_1634479779185{margin-top: 40px !important;}&#8221;][vc_column width=&#8221;5\/6&#8243;][vc_masonry_media_grid element_width=&#8221;6&#8243; gap=&#8221;35&#8243; grid_id=&#8221;vc_gid:1638793437388-cc77ab78-5626-8&#8243; include=&#8221;2138,2140,2142,2144&#8243;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row thb_full_width=&#8221;true&#8221; thb_divider_position=&#8221;bottom&#8221;][vc_column css=&#8221;.vc_custom_1634480201455{padding-left: 30px !important;}&#8221;][vc_wp_text] S.O.S. S\u00fcrd\u00fcr\u00fclebilir Onca Ses, 2014 Fatih Aydo\u011fdu &#8211; Ezgi Tok &#8211; Burak Kabaday\u0131[\/vc_wp_text][vc_wp_text el_class=&#8221;p-last-child&#8221;]Sinopale 5, \u201cK\u00fcmeler ve Kristaller: S\u0131f\u0131r Noktas\u0131nda G\u00f6zlem\u201d K\u00fcrat\u00f6r: I\u015f\u0131n \u00d6nol[\/vc_wp_text][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]Bu i\u015f, altta program\u0131 yaz\u0131l\u0131 At\u00f6lye ba\u011flam\u0131nda Sinop&#8217;ta kaydedilmi\u015f seslerle Ezgi Tok, Burak Kabaday\u0131 ve Fatih Aydo\u011fdu taraf\u0131ndan Sinopale i\u00e7in \u00fcretilmi\u015ftir. &nbsp; M\u00fczik sadece&hellip;<\/p>\n","protected":false},"author":3,"featured_media":2143,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[966],"tags":[866,867,868,708,827],"class_list":["post-5594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-eseri","tag-burak-kabadayi-tr","tag-ezgi-tok-tr","tag-fatih-aydogdu-tr","tag-isin-onol-tr","tag-sinopale5-tr"],"acf":[],"_links":{"self":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/comments?post=5594"}],"version-history":[{"count":1,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5594\/revisions"}],"predecessor-version":[{"id":6696,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5594\/revisions\/6696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/media\/2143"}],"wp:attachment":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/media?parent=5594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/categories?post=5594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/tags?post=5594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}