Declan Clarke[\/vc_wp_text][vc_wp_text el_class=”p-last-child”]Sinopale 3, \u201cGizli An\u0131lar, Kay\u0131p \u0130zler<\/span>\u201d \u0130nsana Ait Hi\u00e7bir \u015eey Bana Yabanc\u0131 De\u011fildir<\/em> \u00f6zellikle John Le Carr\u00e9\u2019nin So\u011fuktan Gelen Casus\u2019una (The Spy Who Came in from the Cold) odaklanarak hem g\u00fcncel hem de ge\u00e7mi\u015f So\u011fuk Sava\u015f tasvirlerini ve bu karma\u015f\u0131k siyasi uzakla\u015ft\u0131rman\u0131n nas\u0131l temsil edildi\u011fini ele al\u0131yor. Muhtemelen bu, bat\u0131n\u0131n iki taraf\u0131 da ikiy\u00fczl\u00fc ve d\u0131\u015far\u0131ya kar\u015f\u0131 s\u00fcrd\u00fcrd\u00fckleri ideolojik tutumlardan b\u00fcy\u00fck \u00f6l\u00e7\u00fcde kopuk tan\u0131mlayan ilk So\u011fuk Sava\u015f hesapla\u015fmas\u0131yd\u0131.<\/span><\/p>\n 1950\u2019lerde McCarthy d\u00f6nemi boyunca Hollywood\u2019un kara listesinde olan Martin Ritt 1964\u2019te bunun bir film uyarlamas\u0131n\u0131 y\u00f6netmi\u015fti. Hem kitap hem de film, \u00c7arli Kontrol Noktas\u0131\u2019nda s\u0131n\u0131r\u0131 ge\u00e7meye \u00e7al\u0131\u015fan ve ba\u015far\u0131s\u0131z olan iki tarafl\u0131 \u00e7al\u0131\u015fan bir ajanla ba\u015flar. \u0130lgin\u00e7 bi\u00e7imde, bu a\u00e7\u0131l\u0131\u015f sahnesi Dublin\u2019de Smithfield \u00c7ar\u015f\u0131s\u0131\u2019nda \u00e7ekilmi\u015fti. Smithfield \u00c7ar\u015f\u0131s\u0131 tahminen Berlin s\u0131n\u0131r\u0131n\u0131n ikna edici bi\u00e7imde yeniden kurulabilece\u011fi ucuz bir yer olarak se\u00e7ilmi\u015fti. Alayl\u0131 bi\u00e7imde bu alan \u015fimdi ba\u015fka bir mimari d\u00f6n\u00fc\u015f\u00fcm i\u00e7inde; meydan\u0131n yar\u0131s\u0131 b\u00fcy\u00fck \u00e7apl\u0131 \u00fcst s\u0131n\u0131f apartman ve otel in\u015fas\u0131na uygun hale getirilmek \u00fczere yeniden imar edildi. Di\u011fer yar\u0131s\u0131 uzun s\u00fcredir bu meydanda bulunan sosyal konutlar\u0131 h\u00e2l\u00e2 bar\u0131nd\u0131r\u0131yor.<\/span><\/p>\n \u0130nsana Ait Hi\u00e7bir \u015eey Bana Yabanc\u0131 De\u011fildir\u2019<\/em>de \u00e7ok b\u00fcy\u00fck etki yapan tarihsel sosyo-politik senaryonun karma\u015f\u0131kl\u0131klar\u0131yla, halihaz\u0131rda t\u00fcm Avrupa\u2019da kent merkezlerinin n\u00fcfusunda g\u00f6r\u00fclen gayrimenkul g\u00fcd\u00fcml\u00fc de\u011fi\u015fiklik kar\u015f\u0131tl\u0131k olu\u015fturuyor. Filmin a\u00e7\u0131l\u0131\u015f b\u00f6l\u00fcmleri Berlin\u2019in merkezinde birka\u00e7 yeri g\u00fcncel olarak g\u00f6r\u00fcnd\u00fckleri halleriyle g\u00f6steriyor. Bu yerlerden baz\u0131lar\u0131, mesela Potsdammer Platz 1989\u2019den bu yana k\u00f6kten bi\u00e7imde yeniden imar edildi, baz\u0131lar\u0131 de\u011fi\u015ftirilme s\u00fcrecinde, baz\u0131lar\u0131ysa b\u0131rak\u0131ld\u0131klar\u0131 gibi \u2013 h\u00e2l\u00e2 Demokratik Almanya Cumhuriyeti\u2019nin i\u015faretlerini ta\u015f\u0131yorlar; Bornholmer K\u00f6pr\u00fcs\u00fc\u2019ndeki prefabrik bir ofisin temeli gibi. Bu yerlerin hepsi siyah beyaz malzeme kullan\u0131larak 1960\u2019lardan kalma Bolex marka 16 mm kamerayla \u00e7ekildi. Berlin Duvar\u0131 m\u00fczesinde g\u00f6sterilen ge\u00e7mi\u015ften kalma \u00e7ekimin \u00f6rnekledi\u011fi gibi, 1961\u2019de duvar in\u015fas\u0131n\u0131n kaydedilme bi\u00e7iminin ayn\u0131s\u0131. Bunlar, 28 y\u0131ll\u0131k tarihi boyunca duvar\u0131n \u00e7ekilmi\u015f renkli foto\u011fraflar\u0131yla ara \u00e7ekim, ve 1990\u2019lar\u0131n ba\u015flar\u0131nda kentte \u00f6\u011frenci olarak ya\u015fad\u0131\u011f\u0131 s\u0131rada sanat\u00e7\u0131 taraf\u0131ndan \u00e7ekilen birka\u00e7 harap mekan foto\u011fraf\u0131. Bu b\u00f6l\u00fcmler renkli dijital film \u00fczerine \u00e7ekildi.<\/span><\/p>\n Film \u00e7a\u011fda\u015f mekanlar\u0131 resimlemek i\u00e7in eski moda kay\u0131t arac\u0131 ve tarihi mekanlar\u0131 sunman\u0131n en \u00e7a\u011fda\u015f yollar\u0131n\u0131 kullanarak, kar\u0131\u015f\u0131k ve \u00e7ok katmanl\u0131 siyasal \u00e7at\u0131\u015fmalar\u0131 betimlemenin karma\u015f\u0131kl\u0131\u011f\u0131n\u0131 hesaba kat\u0131yor. Ortak bir kan\u0131, tarihin sonradan anla\u015f\u0131lma sayesinde a\u00e7\u0131kl\u0131\u011fa kavu\u015ftu\u011fudur. Buna kar\u015f\u0131n, her nesil ge\u00e7mi\u015fi zaman\u0131n ideolojik duru\u015funa ve bak\u0131\u015f a\u00e7\u0131lar\u0131na g\u00f6re, ve bunlar\u0131 do\u011frulama arac\u0131 olarak, yeniden yazar. 20. y\u00fczy\u0131la dair her ay say\u0131s\u0131z yeniden de\u011ferlendirme yay\u0131nlan\u0131rken belki durumu de\u011ferlendirmek i\u00e7in \u015fimdi siyasal g\u00f6r\u00fcn\u00fcm\u00fcn 21. y\u00fczy\u0131lda art\u0131k bulunmayan k\u00f6klerinin oldu\u011fu 50 y\u0131l \u00f6ncesinden daha az donan\u0131ml\u0131y\u0131z.<\/span><\/p>\n \u0130nsana Ait Hi\u00e7bir \u015eey Bana Yabanc\u0131 De\u011fildir<\/em>\u2019de odak \u00e7ekim Smithfield \u00c7ar\u015f\u0131s\u0131\u2019nda ge\u00e7iyor. Martin Ritt\u2019in filminde tasfir edildi\u011fi gibi s\u0131n\u0131r yerine yerle\u015ftirilen kamera filmde Do\u011fu Almanya\u2019y\u0131 neyin temsil etti\u011fine bak\u0131yor. Terkedilmi\u015f binalar ve bir Eurospar (bir s\u00fcpermarket, \u00e7.n.) g\u00f6rebiliyoruz. Kamera sa\u011fa d\u00f6n\u00fc\u015f yapt\u0131\u011f\u0131nda bir dizi \u015firket konutu ve son olarak \u2018Market Cafe\u2019yi g\u00f6r\u00fcyoruz; meydanda uzun s\u00fcre duran, \u015fimdi kapal\u0131 \u00e7ar\u015f\u0131 yemek sat\u0131\u015f yeri. Kamera 180 derecelik d\u00f6n\u00fc\u015f yapt\u0131\u011f\u0131nda yeni \u00fcst s\u0131n\u0131f apartmanlar\u0131 g\u00f6r\u00fcyoruz ve son olarak do\u011frudan<\/span><\/p>\n \u2018Market Cafe\u2019nin kar\u015f\u0131s\u0131nda kamera \u2018Good Food Supermarket\u2019in (\u0130yi Besin S\u00fcpermarketi) \u00fczerinde duruyor; yeni apartman sakinlerinin gereksinimlerini kar\u015f\u0131lamak i\u00e7in yak\u0131n zamanda a\u00e7\u0131lan bir organik s\u00fcpermarket.<\/span><\/p>\n Filmin son \u00e7ekimleri insanlar\u0131n Berlin\u2019in Do\u011fusundan Bat\u0131s\u0131na ka\u00e7malar\u0131n\u0131 engellemek i\u00e7in Berlin Duvar\u0131\u2019n\u0131n \u00fcst\u00fcnde parlayan eski \u0131\u015f\u0131klara odaklan\u0131yor. H\u00e2l\u00e2 kentin elektrik tesisat\u0131ndan g\u00fc\u00e7 alarak yak\u0131nda imar edilecek olan Sahipsiz B\u00f6lge\u2019nin \u00fczerinde yan\u0131p s\u00f6nerek titre\u015fiyorlar.<\/span><\/p>\n
\nK\u00fcrat\u00f6r: ?[\/vc_wp_text][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Avrupa\u2019da kom\u00fcnizmin \u00e7\u00f6k\u00fc\u015f\u00fcn\u00fcn hemen ard\u0131ndan bir\u00e7ok kent, \u00f6zellikle de Berlin, bat\u0131l\u0131 demokratik serbest piyasa kapitalizmine kucak a\u00e7may\u0131 se\u00e7erek, eski Sovyet bloku rejimlerine ait her t\u00fcrl\u00fc kan\u0131t\u0131 yok etmeyi tercih etti. 22 Haziran 2008 gibi yak\u0131n bir tarihte, The Observer gazetesi aralar\u0131nda Mikhail Gorbachev ve Vaclav Havel\u2019in de bulundu\u011fu, \u00f6nde gelen eski ba\u015fbakan, d\u0131\u015fi\u015fleri bakan\u0131 ve el\u00e7ilerin Berlin\u2019de bir So\u011fuk Sava\u015f m\u00fczesinin a\u00e7\u0131lmas\u0131 i\u00e7in \u00e7a\u011fr\u0131da bulunduklar\u0131n\u0131 bildirdi. Bunun \u00f6zel bir \u00f6rne\u011fi Berlin Duvar\u0131\u2019n\u0131n Do\u011fu yakas\u0131nda bulunan eski \u2018\u00d6l\u00fcm \u015eeridi\u2019 veya \u2018Sahipsiz B\u00f6lge\u2019dedir. Duvar s\u00f6k\u00fcl\u00fcp a\u011f\u0131rl\u0131kl\u0131 olarak yol yap\u0131m\u0131nda kullan\u0131l\u0131rken duvar\u0131n bulundu\u011fu alan ve \u015ferit gayrimenkul komisyoncular\u0131n\u0131n bu alan\u0131 yeniden de\u011ferlendirmeye ba\u015flad\u0131klar\u0131 yak\u0131n zamana dek geni\u015f \u00e7apta bo\u015f b\u0131rak\u0131lm\u0131\u015ft\u0131.<\/span><\/p>\n