K\u00fcrat\u00f6rler: Asl\u0131 Serbest & Mona Mahall[\/vc_wp_text][vc_wp_text el_class=”p-last-child”]\n[\/vc_wp_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]7. Uluslararas\u0131 Sinop Bienali, 2019<\/strong><\/p>\n Kavramsal \u00c7er\u00e7eve<\/strong>: Asl\u0131 Serbest & Mona Mahall<\/p>\n Sanat\u00e7\u0131lar: <\/strong>Adelheid Schulz, Ana Filipovic & Philipp Mecke, Annika Eriksson, Banu Cenneto\u011flu, Cornelia\u00a0Lund<\/span> ve Holger Lund<\/span> (fluctuating images, Berlin), \u00c7a\u011fla S\u00f6nmez \u00c7ak\u0131r, Fulya Erdemci & Kevser G\u00fcler, Hay\u0131rl\u0131 Evlat, Johannes Vogl, Kemal \u00d6zen, Mahir Namur, Mehtap Baydu, Misal Adnan Y\u0131ld\u0131z, Mobile Albania, Nil \u0130lkba\u015faran & G\u00fcng\u00f6r Erdem, \u00d6v\u00fcl \u00d6. Durmu\u015fo\u011flu, P\u0131nar \u00d6\u011frenci, \u015eener \u00d6zmen, The Dynamic Archive<\/p>\n Mekanlar: <\/strong>Buzhane, Sinop Hal Bulu\u015fma Merkezi, Pa\u015fa Tabyalar\u0131, Sinop’un kamusal alanlar\u0131.<\/p>\n Ekip: <\/strong>K\u00fcrat\u00f6ryel tak\u0131m: Asl\u0131 Serbest & Mona Mahall, Y\u00f6netim, Organizasyon, Uygulamalar, B\u00fct\u00e7eleme: Asl\u0131 Serbest & Mona Mahall, K\u00fcrat\u00f6ryel Asistan: Ezgi \u00c7ift\u00e7i, <\/span>Prod\u00fcksyon: <\/span>Mert Kara\u00e7\u0131kay, Prod\u00fcksyon Y\u00f6netimi: Erkan Akliman, Medya ve Bas\u0131n \u0130li\u015fkileri: Yi\u011fit Kaya, Bas\u0131n \/ Sosyal Medya: Asl\u0131 Serbest & Mona Mahall, \u0130nternet Sitesi: Asl\u0131 Serbest & Mona Mahall, \u0130ll\u00fcstrasyonlar: Asl\u0131 Serbest & Mona Mahall ve sanat\u00e7\u0131 Alexander Pfeiffenberger, Terc\u00fcme: Asl\u0131 Serbest, Ezgi \u00c7iftci, \u00c7i\u011fdem Girgi\u00e7,<\/span> Kurumsal Kimlik Tasar\u0131m\u0131<\/span>:\u00a0<\/span>Umut S\u00fcd\u00fcak,\u00a0<\/span>Foto\u011fraflar: Laura Baumann<\/span>, <\/span>G\u00f6n\u00fcll\u00fc Ekip: \u0130brahim Hekim, Yusuf<\/span>\u00a0<\/span>Emre Yal\u00e7\u0131n, Cansu K\u0131rcan, \u00c7a\u011fatay \u015eim\u015fek, Chada El Ward Mazigh, Selin Sara\u00e7o\u011flu, Elif Y\u0131lmazer, Ya\u011fmur G\u00fczle, Do\u011fa Burak Hay\u0131rc\u0131, O\u011fulcan \u00d6vet<\/span><\/p>\n Destek\u00e7iler: <\/strong>Sinop Belediyesi, Institut f\u00fcr Auslandsbeziehungen, SAHA, HfK Bremen, Freundes- und F\u00f6rderkreis der Hfk Bremen, Kulturakademie Tarabya, Goethe Institut, The Dynamic Archive, Opet, Akbank Sanat, Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi, CABININ Uluslararas\u0131 \u00c7anakkale Bienali, SPOT<\/p>\n Organizasyon:<\/strong> Sinop S\u00fcrd\u00fcr\u00fclebilir Kalk\u0131nma Derne\u011fi, <\/span>Informal G\u00f6rg\u00fcn Network<\/p>\n Te\u015fekk\u00fcrler:<\/strong> Denizci Otel, Kay\u0131k\u00e7\u0131o\u011flu Ticaret, Otel 117, Antik Otel<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]\u201cBurada ve Nerede \/ Bir Konum Politikas\u0131\u201d<\/strong><\/p>\n Sinop Bienali, yerle\u015ftirilmi\u015f uygulamalara ve i\u015fbirli\u011fine dayal\u0131 s\u00fcre\u00e7lere dayanmaktad\u0131r. Anadolu\u2019nun Karadeniz B\u00f6lgesi\u2019ndeki \u00e7e\u015fitli y\u00f6releri ke\u015ffetmek i\u00e7in T\u00fcrkiye\u2019nin en kuzeydeki sahil kenti olan Sinop\u2019un merkezinde bulunan \u201cHal\u201d pazar yerinde ba\u015flang\u0131\u00e7 \u200b\u200bnoktam\u0131z\u0131 buluyoruz. Kolektif rotalara ilerleyerek, \u00e7e\u015fitli ge\u00e7mi\u015fleri, deneyimleri ve sanatsal ara\u015ft\u0131rmalar\u0131 yerel jeopolitik ve sosyo-politik ger\u00e7ekliklerde, Karadeniz\u2019in ar\u015fivsel nitelikteki ve kolonile\u015ftirilmi\u015f yery\u00fcz\u00fc bi\u00e7imlerinde ve su k\u00fctlesinde olmak \u00fczere, yerinde derlemeyi ama\u00e7l\u0131yoruz. T\u00fcm bu unsurlar ulus devletlerin de \u00fczerindedir ve ge\u00e7mi\u015f ile gelecekten par\u00e7alar i\u00e7erirler; So\u011fuk Sava\u015f zamanlar\u0131ndan bir Rus casus balinas\u0131n\u0131n hat\u0131ras\u0131n\u0131n yan\u0131 s\u0131ra tonlarca plastikle birlikte karanl\u0131k denizin derinliklerinde tamamen bozulmam\u0131\u015f antik gemiler birliktedirler. Hepsi de, belirli ili\u015fkilerin ve t\u00f6relerin, siyasi direni\u015f ve tarihi \u0131srara ili\u015fkin eylemlerin, kas\u0131tl\u0131 olsun ya da olmas\u0131n buradan ayr\u0131lanlardan ve gelenlerin hareketlerinin yer ald\u0131\u011f\u0131 alanlard\u0131r.<\/p>\n Orada burada\u00a0(here and there) deyimini de\u011fi\u015ftirerek elde edilen, \u201cburada ve nerede\u201d (here and where) ba\u015fl\u0131\u011f\u0131, alg\u0131m\u0131z\u0131n s\u0131n\u0131r\u0131ndaki bir yeri ifade eder ve bask\u0131n anlat\u0131lar\u0131m\u0131zdan hari\u00e7 tutulmu\u015ftur. Ancak, jeo-politik ve jeo-k\u00fclt\u00fcrel ger\u00e7ekliklerin maddi, dilbilimsel ve mitolojik de\u011fi\u015fimin tarihi ile birlikte ya\u015fand\u0131\u011f\u0131 bir yer ise ya\u015fanm\u0131\u015f bir \u015fimdiyi olu\u015fturmaktad\u0131r. Bu durum bir konum politikas\u0131 anlam\u0131na gelir. Feminist \u015fair Adrienne Rich (1929\u20132012) taraf\u0131ndan tan\u0131mlanan konum politikas\u0131, d\u00fc\u015f\u00fcnme ve konu\u015fmay\u0131 yerle\u015ftirilmi\u015f bir deneyim, bir \u00f6zellik, bir co\u011frafya, bir beden ile yeniden bir araya getirmeyi ama\u00e7lar. Bununla birlikte, konum politikas\u0131, yerel mek\u00e2n\u0131 temel bilginin alan\u0131 olarak kabul etmez; bunun yerine, yeri, k\u00f6klerden ziyade rotalarla, deneyimli ba\u011flant\u0131lar\u0131n ve kav\u015faklar\u0131n yeri olarak anlamaktad\u0131r. Bu noktada yerel, s\u0131n\u0131rl\u0131 bir yerle de\u011fil, tarihsel temasla, ili\u015fkilerde ve \u00e7evirilerde, varl\u0131klar\u0131n ve nesnelerin hareketini sa\u011flayan ve disipline eden rotalarda, siyasetin bulundu\u011fu yerde ba\u015flar.<\/p>\n Karadeniz\u2019de takip etmeyi hayal etti\u011fimiz yollar Karadeniz\u2019e do\u011fru a\u015fa\u011f\u0131ya akan Tuna boyunca, Diyojen\u2019in memleketi Sinop\u2019tan Atina\u2019ya do\u011fru yapt\u0131\u011f\u0131 efsanevi yolculuk rotas\u0131, k\u0131y\u0131 boyunca yer alan alt\u0131 kom\u015fuyu ba\u011flayan \u00e7evre yolu, petrol, \u00e7\u00f6p, verilerin ak\u0131\u015f\u0131, \u0130stanbul Bo\u011faz\u0131\u2019ndan gelen s\u00fcr\u00fcler ve feromonlar olacak ve bu rotalardan baz\u0131lar\u0131n\u0131 takip etmek, konumu bir nesne ve bir varl\u0131k aras\u0131ndaki ili\u015fkiyi di\u011fer \u015feyler ile olan ili\u015fki olarak anlamam\u0131za yard\u0131mc\u0131 olabilecektir.<\/p>\n Bu rotalar\u0131 izlemekteki amac\u0131m\u0131z, sanat eserlerini sergilemek yerine aktif bulu\u015fmalar ba\u015flatmak, pasif izleme eylemi yerine, mek\u00e2n\u0131n sakinleri, konuklar ve b\u00f6lge aras\u0131nda kolektif uygulamalar olu\u015fturmak, ard\u0131m\u0131zda nesneler b\u0131rakmak yerine yeni \u00f6znellikler yaratmakt\u0131r. Kar\u015f\u0131l\u0131kl\u0131 konu\u015fma, \u00e7eviri ve do\u011fa\u00e7lama s\u00fcre\u00e7leri arac\u0131l\u0131\u011f\u0131yla, misafirlerle, yerel \u00e7evre ve yerel \u00e7evre sakinleriyle (hayvanlar, insanlar, bitkiler) alternatif bilgi bi\u00e7imlerini tan\u0131ma ve toplu olarak \u00fcretmede, olas\u0131 ba\u015fkaya ve nesnelerle varl\u0131klarla ileti\u015fime ge\u00e7i\u015fteki \u00f6zg\u00fcrle\u015ftirilmi\u015f yollar\u0131n a\u00e7\u0131klanm\u0131\u015f y\u00f6ntemleriyle ilgili sorular soruyoruz.<\/p>\n Bu bilgi bi\u00e7imlerini Karadeniz K\u0131y\u0131s\u0131\u2019ndan \u0130stanbul, Berlin, Viyana ve Stockholm\u2019e ta\u015f\u0131mak i\u00e7in a\u00e7\u0131k ve g\u00f6\u00e7ebe bir ar\u015fiv \u00fcretece\u011fiz. Bu ar\u015fivde, yerle\u015ftirilmi\u015f uygulamalar ve i\u015fbirli\u011fine y\u00f6nelik ger\u00e7ekle\u015ftirilen s\u00fcre\u00e7ler sergiler, g\u00f6sterimler, yuvarlak masa masalar\u0131 vb \u015feklinde payla\u015f\u0131lacak.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row thb_full_width=”true” thb_divider_position=”bottom” css=”.vc_custom_1634479779185{margin-top: 40px !important;}”][vc_column width=”5\/6″][vc_masonry_media_grid element_width=”6″ gap=”35″ grid_id=”vc_gid:1638806673564-f93e71a7-a32c-3″ include=”4956″][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":" [vc_row thb_full_width=”true” thb_divider_position=”bottom”][vc_column css=”.vc_custom_1635444028814{padding-left: 30px !important;}”][vc_wp_text] Sinopale 7, “Burada ve Nerede \/ Bir Konum Politikas\u0131” K\u00fcrat\u00f6rler: Asl\u0131 Serbest & Mona Mahall[\/vc_wp_text][vc_wp_text el_class=”p-last-child”] [\/vc_wp_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]7. Uluslararas\u0131 Sinop Bienali, 2019 Kavramsal \u00c7er\u00e7eve: Asl\u0131 Serbest & Mona Mahall Sanat\u00e7\u0131lar: Adelheid Schulz, Ana Filipovic & Philipp Mecke, Annika Eriksson, Banu Cenneto\u011flu, Cornelia\u00a0Lund ve Holger Lund (fluctuating images, Berlin), \u00c7a\u011fla…<\/p>\n","protected":false},"author":1,"featured_media":4959,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[967],"tags":[636,645,646,734,757,959,785,763,625,622,644,786,787,751,732,735,772,733,640,642,621,639],"class_list":["post-5411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bienal","tag-adelheid-schulz-tr","tag-ana-filipovic-philipp-mecke-tr","tag-annika-eriksson-tr","tag-banu-cennetoglu-tr","tag-cagla-sonmez-cakir-tr","tag-cornelia-lund-and-holger-lund-fluctuating-images-berlin-tr","tag-fulya-erdemci-tr","tag-gungor-erdem-tr","tag-hayirli-evlat-tr","tag-johannes-vogl-tr","tag-kemal-ozen-tr","tag-kevser-guler-tr","tag-mahir-namur-tr","tag-mehtap-baydu-tr","tag-misal-adnan-yildiz-tr","tag-mobile-albania-tr","tag-nil-ilkbasaran-tr","tag-ovul-o-durmusoglu-tr","tag-pinar-ogrenci-tr","tag-sener-ozmen-tr","tag-sinopale7-tr","tag-the-dynamic-archive-tr"],"acf":[],"_links":{"self":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/comments?post=5411"}],"version-history":[{"count":7,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5411\/revisions"}],"predecessor-version":[{"id":7727,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5411\/revisions\/7727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/media\/4959"}],"wp:attachment":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/media?parent=5411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/categories?post=5411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/tags?post=5411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}