K\u00fcrat\u00f6rler: T. Melih G\u00f6rg\u00fcn, Beral Madra, Vittorio Urbani, Nike Baetzner, Rana \u00d6zt\u00fcrk, Branko Franceshi, Vaari Claffey, Hande Sa\u011flam[\/vc_wp_text][vc_wp_text el_class=”p-last-child”]\n[\/vc_wp_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]3. Uluslararas\u0131 Sinop Bienali, 2010<\/strong><\/p>\n Kavramsal \u00c7er\u00e7eve<\/strong>: Kavramsal \u00e7er\u00e7eve, Beral Madra, Emre Zeytino\u011flu, M\u00fcrteza Fidan, T. Melih G\u00f6rg\u00fcn, Mahir Namur, Sinan Niyazio\u011flu ve Emel Abora’n\u0131n katk\u0131lar\u0131yla yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n K\u00fcrat\u00f6rler: <\/strong>T. Melih G\u00f6rg\u00fcn, Beral Madra, Vittorio Urbani, Nike Baetzner, Rana \u00d6zt\u00fcrk, Branko Franceshi, Vaari Claffey, Hande Sa\u011flam<\/p>\n Sanat\u00e7\u0131lar: <\/strong>Joel Andrianomearisoa, The Virtual Museum of Avant-garde, Ziya Azazi, Ayhan & Bahar En\u015fici, Maria Ikonomopoulou, H\u00fclya Karaka\u015f, Ludwig Kittinger, Georg Klein, Renan Koen, S\u0131tk\u0131 K\u00f6semen, Ronan McCrea, Els vanden Meersch, Anne Metzen, Daniele Pezzi, Mali Weil Performance Project, Masa Project, Maria Papadimitriu, Seyit Saat\u00e7i, Jelena Vasiljev, Rhona Byrne, Declan Clarke, I\u015f\u0131l E\u011frikavuk, G\u00fcls\u00fcn Karamustafa, Sean Lynch, Fiona Marron, Bea McMahon, Ferhat \u00d6zg\u00fcr, Sarah Pierce, Tayfun Sertta\u015f<\/p>\n Mekanlar: <\/strong>Tarihi Sinop Cezaevi, Pervane Medresesi El Sanatlar\u0131 \u00c7ar\u015f\u0131s\u0131, Dr. R\u0131za Nur \u0130l Halk K\u00fct\u00fcphanesi, <\/span>Lonca Kap\u0131s\u0131, <\/span>\u00dclgen Kotra Evi<\/span><\/p>\n Ekip:<\/strong><\/p>\n Proje Geli\u015ftirme: T. Melih G\u00f6rg\u00fcn, Beral Madra, Mahir Namur, Murteza Fidan, Nil\u00fcfer S\u00fcl\u00fcner, Emre Zeytino\u011flu, Emel Abora<\/p>\n Dan\u0131\u015fma Kurulu: M. Hakan G\u00fcven\u00e7er (Sinop Valisi), Baki Erg\u00fcl (Sinop Belediye Ba\u015fkan\u0131), Mahir Namur (Avrupa K\u00fclt\u00fcr Derne\u011fi Ba\u015fkan\u0131), \u00d6zg\u00fcr \u00d6zaslan (K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 M\u00fcste\u015far Yard\u0131mc\u0131s\u0131<\/span>), Azmi Hamzao\u011flu (Cerrah, Sinop Vakf\u0131 Kurucular Kurulu<\/span>), Erol Derici (Sinop Ticaret ve Sanayi Odas\u0131<\/span>), Osman Onur (\u0130\u015f insan\u0131), Cemalettin Kaya (Sinop K\u00fclt\u00fcr ve Turizm Derne\u011fi Ba\u015fkan\u0131<\/span>)<\/p>\n Etkinlik Koordinat\u00f6r\u00fc: Elif Kuli<\/p>\n Edit\u00f6r: Emel Abora<\/p>\n Halkla \u0130li\u015fkiler: Haber At\u00f6lyesi<\/p>\n Organizasyon Ekibi: Aysun \u00dclger, Suzan Atasever, Seda Efendio\u011flu, \u0130pek Hamzao\u011flu, Duygu Aksoy, Melih Aytek Y\u0131ld\u0131r\u0131m, Vedat K\u00fc\u00e7\u00fckbing\u00f6l<\/p>\n Sinopale Kurumsal Kimlik Konsepti: Umut S\u00fcd\u00fcak \/ Grafik Tasar\u0131m\u0131 ve Uygulama: Duygu Aksoy, Melih Aytek Y\u0131ld\u0131r\u0131m, Seda Efendio\u011flu, Catrione Maciver<\/p>\n Terc\u00fcmanlar: Emel Abora, \u00d6zge Taylan, Seda Y\u0131lmaz, \u00c7i\u011fdem Calap<\/p>\n Sergi ve Sanat\u00e7\u0131 Asistanlar\u0131: Tuncay Alp, Yunus Ak, \u00d6zum Asilkazanc\u0131, Ece Naz Ay, Merve Bafral\u0131, \u00c7a\u011fla Su Bakdur, G\u00f6zde Ba\u015fcan, Ezgi Bozant\u0131, Halilcan \u00c7ayan, Gizem Derici, Zerin Dirihan, Nazl\u0131han Felek, \u0130lay Ghanbari, \u0130pek Hamzaoglu, Beyza Ka\u00e7ar, An\u0131l Kaya, \u00c7a\u011f\u0131n Kaya, Ece Dilan K\u00f6se, Catrione Maciver, Pelin Mermer, \u00c7a\u011fr\u0131 \u00d6zcevahir, Berrin \u00d6zden, \u00c7a\u011fla Nur \u00d6zden, Mine \u00d6zgen, Murat \u00d6zgen, Derya \u00d6znur \u00d6zfelek, G\u00f6khan \u00d6zkan, Simla Tanr\u0131kut, Tutku \u00dcnl\u00fct\u00fcrk, Alican Y\u0131lmazer<\/p>\n Teknik Ekip: Abdi Darcan<\/p>\n Sergi Mekanlar\u0131n\u0131n Mimar\u0131: Elif Kuli[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Gizli An\u0131lar, Kay\u0131p \u0130zler<\/strong><\/p>\n 14 A\u011fustos \u2013 4 Eyl\u00fcl tarihleri aras\u0131nda d\u00fczenlenen Sinopale 3, \u00dc\u00e7\u00fcnc\u00fc Sinop Bienali\u2019nin kavramsal \u00e7er\u00e7evesi \u201cGizli An\u0131lar, Kay\u0131p \u0130zler\u201d olarak belirlendi.<\/span><\/p>\n Her kentin bir g\u00f6r\u00fcnen bir de g\u00f6r\u00fcnmeyen y\u00fcz\u00fc vard\u0131r. Bir kentin gizli hikayelerini duymak i\u00e7in, o kenti deneyimlemek gerekir. Kentin g\u00f6r\u00fcnmeyen y\u00fcz\u00fc hikayelerinden yola \u00e7\u0131k\u0131larak a\u00e7\u0131\u011fa \u00e7\u0131kar\u0131l\u0131r. Bu hikayelerin verdi\u011fi his, kent hissini, kentin anlam\u0131n\u0131 olu\u015fturur. Ki\u015fi bir kentin verdi\u011fi hissi i\u00e7selle\u015ftirirse, g\u00f6rd\u00fc\u011f\u00fc veya anlatt\u0131\u011f\u0131 her ba\u015fka kente, kendi kentinden bir \u015feyler yans\u0131t\u0131r. Italo Calvino\u2019nun \u201cG\u00f6r\u00fcnmez Kentler\u201d roman\u0131ndaki gibi, kent hissini zihnimizdeki \u201cg\u00f6r\u00fcnmez kent\u201d yarat\u0131r. Bu g\u00f6r\u00fcnmez kentler nereye ait olursa olsunlar, s\u00fcrekli s\u0131n\u0131rlar\u0131n\u0131 \u00f6telerler. K\u00fcreselle\u015fme bu t\u00fcr bir anlam geni\u015flemesini vaad eder gibi g\u00f6r\u00fcnd\u00fc\u011f\u00fc halde, kent ya\u015fam\u0131n\u0131n tektiple\u015fmesiyle, ge\u00e7mi\u015fin anlat\u0131lar\u0131n\u0131 ve kentin ruhunu silme e\u011filiminde olan projelerle sonu\u00e7land\u0131. T\u00fcm ya\u015fanm\u0131\u015f deneyim izlerini silen s\u0131n\u0131rs\u0131z \u00fcretim ve s\u0131n\u0131rs\u0131z t\u00fcketim dinamizmini te\u015fvik eden k\u00fcreselle\u015fme, kentlerin e\u015fsizli\u011finin unutulmas\u0131na neden oldu.<\/span><\/p>\n Kentin g\u00f6r\u00fcnen ve g\u00f6r\u00fcnmeyen y\u00f6nlerinin ele al\u0131nmas\u0131yla kent belle\u011finin alg\u0131lanmas\u0131na ve bu ya\u015fama alan\u0131na ait bilginin do\u011fru saptanarak gelecek y\u0131llara kalmas\u0131na y\u00f6nelik olarak d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f olan bu kavram, tarihsel ba\u011flamda \u201cge\u00e7i\u015f alan\u0131\u201d olarak saptanm\u0131\u015f bu co\u011frafyada nelerin \u201ckonu\u015fulup\u201d nelerin \u201ckonu\u015fulmad\u0131\u011f\u0131na\u201d dikkat \u00e7ekmeyi ama\u00e7l\u0131yor.<\/span><\/p>\n Sanatsal \u00fcretim kentin hen\u00fcz g\u00f6r\u00fcnmez halde olan ya\u015fanm\u0131\u015f y\u00f6nlerini ara\u015ft\u0131rabilir, savunabilir ve a\u00e7\u0131\u011fa \u00e7\u0131karabilirse, k\u00fcreselle\u015fmenin ba\u015flar\u0131na tarihlenen k\u00fclt\u00fcr \u00fctopyalar\u0131 ya\u015fanabilir. Projenin amac\u0131 kentteki gizli an\u0131lar\u0131 ve kay\u0131p izleri a\u00e7\u0131\u011fa \u00e7\u0131karmak i\u00e7in kentin \u201cta\u015f\u0131nabilir bir belle\u011fini\u201d olu\u015fturulmas\u0131. Belirli bir kentin, d\u00fcnyan\u0131n k\u00fcreselle\u015fmenin zorlay\u0131c\u0131 etkilerine maruz kalmadan \u00f6nceki bir d\u00f6neme ait an\u0131lar\u0131n\u0131n bilgisi verilen sanat\u00e7\u0131lar, kendi an\u0131lar\u0131n\u0131 da katarak uzun zaman \u00fcst\u00fc kapal\u0131 kalm\u0131\u015f, \u00f6rtbas edilmi\u015f an\u0131msamalar\u0131 a\u00e7\u0131\u011fa vurma yollar\u0131n\u0131 ara\u015ft\u0131racaklar. B\u00f6ylelikle proje baz\u0131 ger\u00e7ekleri ortaya \u00e7\u0131karma ve bu bilgiyle Avrupa\u2019n\u0131n duygusal belle\u011fini tamamlayarak g\u00fc\u00e7lendirme amac\u0131 ta\u015f\u0131yor.<\/span><\/p>\n Karadeniz B\u00f6lgesi\u2019nin en kuzey noktas\u0131nda yer alan Sinop tecrit edilmi\u015f bir liman kentinin \u00f6zelliklerini ta\u015f\u0131man\u0131n yan\u0131s\u0131ra uzun bir tarihe ve y\u00fckl\u00fc bir belle\u011fe sahip. Kentte bir d\u00f6nemin ileri gelen ayd\u0131nlar\u0131n\u0131n kald\u0131\u011f\u0131 bir cezaevinin bulunmas\u0131 ve bu durumun etkileri kentin ortak belle\u011finin par\u00e7alar\u0131. Sinop\u2019un dokusunda birbirinden kopuk \u00e7e\u015fitli yap\u0131lanmalar s\u00f6z konusu; \u00e7e\u015fitli d\u00f6nemlere ait tarihi binalar, Amerikan \u00fcss\u00fcnde \u00e7al\u0131\u015farak hayatlar\u0131n\u0131 kazanan ve uydu kentler olu\u015fturan i\u015f\u00e7iler\u2026 Sinop Do\u011fu Blo\u011fu b\u00f6lgesi olarak tecrit edilmi\u015f olmas\u0131na kar\u015f\u0131n kendisini Bat\u0131 ittifak\u0131 i\u00e7inde konumland\u0131r\u0131yor, \u00a0ayn\u0131 zamanda kent bir zamanlar yo\u011fun bir silah ticareti merkeziydi. Kentin jeopolitik konumuna ba\u011fl\u0131 olarak Sinop halk\u0131 \u00e7eli\u015fkili politik tav\u0131rlara sahip. Karadeniz B\u00f6lgesi co\u011frafi Avrupa ile siyasi Avrupa aras\u0131nda, h\u00e2l\u00e2 tarihsel ihtilaflar\u0131n ya\u015fand\u0131\u011f\u0131 bir ge\u00e7i\u015f b\u00f6lgesi. G\u00fcncel enerji politikalar\u0131 ve \u00e7evre sorunlar\u0131 kenti halihaz\u0131rda siyaset g\u00fcndemine oturtuyor.<\/span><\/p>\n Kentsel kalk\u0131nma ve sosyal d\u00f6n\u00fc\u015f\u00fcm\u00fc yerel ve uluslararas\u0131 k\u00fclt\u00fcrel-sanatsal i\u015fbirli\u011fiyle harekete ge\u00e7irmeyi ama\u00e7layan bir sivil toplum projesi olan Sinopale 3, \u201cYa\u015fayanlar\u0131n tercihi\u201d ve \u201cy\u00f6netenlerin tercihi\u201d gibi kar\u015f\u0131tl\u0131klar\u0131 da ele alacak. Sinopale 3 \u201csakl\u0131 belle\u011fin\u201d ifade edilmesine y\u00f6nelik sanatsal, yarat\u0131c\u0131 \u00e7al\u0131\u015fmalar\u0131 bir b\u00fct\u00fcnl\u00fck i\u00e7inde \u201c\u015fehir, mahalle, birey\u201d temelinde ele al\u0131rken, \u201cgelecek \u00f6nerileri\u201dnin yeni ifade bi\u00e7imlerine arac\u0131l\u0131k edecek at\u00f6lye \u00e7al\u0131\u015fmalar\u0131, sergiler ve performanslarla sanat\u00e7\u0131lar, tasar\u0131mc\u0131lar, k\u00fclt\u00fcr y\u00f6neticileri, esnaf, yerel y\u00f6neticiler, e\u011fitimciler, kent sakinleri ve izleyicilerin entelekt\u00fcel ve i\u015flevsel d\u00fczeyde \u201ckat\u0131l\u0131mc\u0131-etkile\u015fimli\u201d bi\u00e7imde i\u015fbirli\u011fi yapacaklar\u0131 bir platform olu\u015fturuyor.<\/span><\/p>\n * Kavramsal \u00c7er\u00e7eve Beral Madra, Emre Zeytino\u011flu, M\u00fcrteza Fidan, T. Melih G\u00f6rg\u00fcn, Mahir Namur, Sinan Niyazio\u011flu ve Emel Abora\u2019n\u0131n katk\u0131lar\u0131yla haz\u0131rland\u0131.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row thb_full_width=”true” thb_divider_position=”bottom” css=”.vc_custom_1634479779185{margin-top: 40px !important;}”][vc_column width=”5\/6″][vc_video link=”https:\/\/www.youtube.com\/watch?v=PO7tMUldz5Y”][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":" [vc_row thb_full_width=”true” thb_divider_position=”bottom”][vc_column css=”.vc_custom_1635444028814{padding-left: 30px !important;}”][vc_wp_text] Sinopale 3, \u201cGizli An\u0131lar, Kay\u0131p \u0130zler\u201d K\u00fcrat\u00f6rler: T. Melih G\u00f6rg\u00fcn, Beral Madra, Vittorio Urbani, Nike Baetzner, Rana \u00d6zt\u00fcrk, Branko Franceshi, Vaari Claffey, Hande Sa\u011flam[\/vc_wp_text][vc_wp_text el_class=”p-last-child”] [\/vc_wp_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]3. Uluslararas\u0131 Sinop Bienali, 2010 Kavramsal \u00c7er\u00e7eve: Kavramsal \u00e7er\u00e7eve, Beral Madra, Emre Zeytino\u011flu, M\u00fcrteza Fidan, T. Melih G\u00f6rg\u00fcn, Mahir Namur, Sinan Niyazio\u011flu ve…<\/p>\n","protected":false},"author":6,"featured_media":5083,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[967,649],"tags":[650,651,652,653,654,655,656,657,658,659,660,661,662,663,664,665,666,667,668,669,670,671,672,673,674,675,676,677,678,679,680,681,682,683,684,685,686,687],"class_list":["post-5399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bienal","category-biennial-tr","tag-anne-metzen-tr","tag-ayhan-bahar-ensici-tr","tag-bea-mcmahon-tr","tag-beral-madra-tr","tag-branko-franceshi-tr","tag-daniele-pezzi-tr","tag-declan-clarke-tr","tag-els-vanden-meersch-tr","tag-ferhat-ozgur-tr","tag-fiona-marron-tr","tag-georg-klein-tr","tag-gulsun-karamustafa-tr","tag-hande-saglam-tr","tag-hulya-karakas-tr","tag-isil-egrikavuk-tr","tag-jelena-vasiljev-tr","tag-joel-andrianomearisoa-tr","tag-ludwig-kittinger-tr","tag-mali-weil-performance-project-tr","tag-maria-ikonomopoulou-tr","tag-maria-papadimitriu-tr","tag-masa-project-tr","tag-nike-batzner-tr","tag-rana-ozturk-tr","tag-renan-koen-tr","tag-rhona-byrne-tr","tag-ronan-mccrea-tr","tag-sarah-pierce-tr","tag-sean-lynch-tr","tag-seyit-saatci-tr","tag-sinopale3-tr","tag-sitki-kosemen-tr","tag-t-melih-gorgun-tr","tag-tayfun-serttas-tr","tag-the-virtual-museum-of-avant-garde-tr","tag-vaari-claffey-tr","tag-vittorio-urbani-tr","tag-ziya-azazi-tr"],"acf":[],"_links":{"self":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/comments?post=5399"}],"version-history":[{"count":4,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5399\/revisions"}],"predecessor-version":[{"id":9705,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/posts\/5399\/revisions\/9705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/media\/5083"}],"wp:attachment":[{"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/media?parent=5399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/categories?post=5399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sinopale8.org\/tr\/wp-json\/wp\/v2\/tags?post=5399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}