How do we look at ourselves in daily life? How should we deal with the phenomenon of movement? How can you orient untrained human bodies of non-academic background in new movement realms based on rhythmic principles favoring body and movement integrity? This performance making use of local patterns (sounds, folk dances) of Sinop is dealing with “dance” in the context of an integral composition that connects to the city starting with the very first movement act of the human being.
